Price: ~$750.00 (Single rail)
This new design will handle high-powered devices better (Roon Nucleus+, etc) and provide smoother and more powerful sound with improved resolution.
Balanced DC power supply
Most devices accept single phase DC input so it’s not possible to make balanced DC output. We tried building balanced AC power conditioner with full wave transformer but it didn’t work well as we hoped with increased noise from another phase. It should only be used with balanced DC power supply output only.
So, we decided to use bridge rectifier with isolation transformer and the result is very satisfying. Diode won’t work twice harder as before, DC current is even cleaner with matching design for non-balanced DC power output.
Two-stage voltage regulation topology
When we tried to to make early prototyping PSUs having cleaner sound, we also tried two-stage voltage regulation topology (not cheap transformer coil). It produced cleaner sound with smooth presentation but dynamics wasn’t as solid as before and worsened transient attack.
We also found side effects from two-stage voltage regulation with more heat dissipation from lost energy during each stage. We decided to build transformer with specific voltage output for the best results with purist design approach.
Choke-filtered linear power supply
We also tried choke-filtered design too since some of preamps I like use this design. With very clean sound and precise imaging using choke-filtered, there’s also side effects of choke-filtered making the sound losing sweet touches and full body dynamics on lower frequencies so we shot this down.
Power capacitor bank
I could vaguely guess already as I saw from products trying this approach before but we decided to try this too. You won’t get current shortage with this design but since we never has issue with current load, we decided to drop it like before.
The reason why we dropped this design is mainly about sonic performance. Focus became blurred and timing got a lot slower with strong sound signature from capacitor. No matter what capacitor brands and values we tried, it does harm more than good in our case.
We also considered other design implementations like shunt regulator design but it tends to be very hot easily so we didn’t try it with over 3A cases. It’s important to make sure the product will be safe and reliable for years to come.
At the time of this review, the Nikola2 hasn’t been released but I was reassured that this is what the production version will sound like.
The Fidelizer Nikola2 is one of the more musical-sounding power supplies on this list. It’s a sweet and beautiful sound and aligns with my tastes in tonality. This power supply has very nice PRaT and dynamics. Nothing stands out in a bad way. It’s just enjoyable and believable music.
For what it’s worth, I find it to be the power supply equivalent of my reference USB cable, the Danacable TruStream. One of the very few components I’ve kept and still use over the years. So chances are, I’ll probably keep the Fidelizer.
As far as power supplies still being sold, the Fidelizer Nikola2 power supply has the best tonality and timbre in the entire lineup. It has a fantastic amount of tonal variance, soul, and essence. It’s incredibly tactile, balanced in fullness, and articulates with just enough precision. Because of that, you’re able to hear subtle timbral and cues and resonances that are usually masked by other power supplies. This is consonant with what I hear in real life.
The Nikola2 embraces rawness, smoothness, and speed. There’s an abundance of textured excitement and naturally oxygenated melodies. The initial attack is always in plain view – especially with fleet-fingered fretwork. However, there is a slight bloom around the edges, so not the last word in pristine delineation.
Soundstage isn’t the deepest but it’s not closed in. There’s still a natural continuity and blending between the elements. It’s laid back without feeling distant. Layering isn’t the best but you could still hear depth to each note. Once again, it’s more of a balance. The Nikola2 has a smaller sound rather than being a thick or thin sound.
Bass is kind of in the middle of the road. As far as quality and performance, it’s not super authoritative but has a decent amount of heft. It won’t be enough to rattle your skull – so it may be better paired with meatier and bassy gear.
The Nikola2 is undoubtedly a high-performance power supply. It has dynamic strides, textured midrange, detailed highs. In addition, it’ll be tough to beat the number of natural colors this power supply brings to the forefront.
The biggest drawback is that the music doesn’t project out with as much full-bodied presence. The strums and percussions don’t throb with heavy force or weight. It just doesn’t have the mass and density as some of the others. So it does lack a bit of tactility or a huge soundstage. In other words, it doesn’t come out and grab you by the collar.
Treble isn’t the most brilliant, but very natural in its shine. Bass isn’t the most forceful but isn’t the worst. Consequently, drums and cymbals sound a tiny bit mellow. There isn’t a lot of splash or grunt. You don’t feel the impact but could still appreciate the amount of body that does make it through.
Die-hard tone snobs will enjoy the Fidelizer Nikola2. It’s rawer than it is smooth. It’s more lightfooted than it is dense. But it’ll have an enormous amount of tonal perspective across all genres of music. There’s an even sense of natural transparency and musically arresting energy. Brass has more of that sonic stretch and strings and percussions are played with charming cadence.
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Well Jay, you have only just gone and done it again. Another mammoth review. Don’t you ever sleep!?
As a Dave owner I was lucky to obtain the first production version of Sean Jacobs DC4 and have been using that ever since with a big grin on my face every time I use the Dave. It has possibly been the biggest improvement to the sound of my system (with the possible and honourable exception of my own Wave High Fidelity STORM dual BNC cables of course!).
However all of that is about to change because Sean has been kind enough to loan me a prototype of his new ARC6 version of the DC4 power supply. Having had the Dave all this time I was not aware of any deficiencies. That was until I plugged in the ARC6. As you say in your review the DC4 is a master at revealing the texture of instruments but now the ARC6 version has a transient speed to go with that textural information. It is a quite uncanny combination. The bass is also deeper and more powerful and yet manages to more detail and information in it at the same time.
You will gather that I like the ARC6 upgrade to the DC4 for the Dave. It is a huge upgrade to the Dc4. I understand that existing owners of the DC4 can have theirs upgraded to the ARC6 version by returning to Sean or to one of his agents in the USA or EU.
But that is not really why I was minded to put pen to paper in response to your review. A few months ago I did my own private shoot out of power supplies powering the Qutest. These included the Sbooster with Ultra Mk2 upgrade, Farad Super3, Allo Shanti, MCRU, Sean Jacobs DC3, PowerAdd battery, iFi, a cheap LPS from China and of course, because I could, the 5V rail from a DC4. Broadly I agree with all your comments and in the end I used the Farad Super3, not because it was the best but because it was a reasonable amount of money to spend for the performance gain with a Qutest. One thing to say about the value for money Allo Shanti is that if one has the necessary skills it takes a leap forward in sound quality if the supplied captive leads are removed from the circuit board and GX16 sockets are installed allowing after market DC leads.
I have more recently listened again to a DC4 powering the Qutest and although first time around I rejected the idea of a single rail £4,000 DC4 powering a £1.200 Qutest as being any where near a sensible decision I have now begun to wonder whether in fact it brings the £5,200 combination up to a level of similarly priced DACs and I think it might just do that. Such is the benefit of the DC4 with a Qutest.
So, thanks once again for the huge undertaking and it is nice of course to see you still using my WAVE STREAM cables with your Dave. 👍
Nick.
I would be curious to hear the ARC6! Is there a tonal color difference between DC4 and ARC6? More shine?
I agree, the Farad Super3 is a great value, especially if you enjoy that more liquid and smooth sound. From memory, I thought the Mojo Illuminati V3 paired well with the Qutest. And I could definitely hear the potential of the Shanti, the price is incredible for its performance (but critical listeners won't be happy). GX16 sockets with custom cabling would be interesting.
Have you tried batteries?
I run my RME ADI-2 fs DAC and streamer on pure LiFePo4 cells (without any battery management electronics of course). The DAC uses 4*3.2V 20AH cells in series, and the streamer 2 of the same in series. The batteries last more than a day so I charge at night when sleeping.
It would be interesting to know how batteries like these compares to the better power supplies.
Yeah, I was thinking about including batteries as well. Which specific ones would you like to see?
I think the more "pure" cells you use the better, and not small AA or similar batteries. Here is the ones I use:
https://shop.gwl.eu/LiFePO4-cells-3-2-V/LiFePO4-High-Power-Cell-3-2V-20Ah-Alu-case-CE.html
Of if you want one ready made for RME DAC, this one works (its just 4 cells in series), should be similar available in NA if that's where you live: https://shop.gwl.eu/LiFeYPO4-batteries-12V-1-1/Lithium-Battery-LiFePO4-12V-20Ah.html
But basically you want low internal resistance in combination with pure cells. For example, a power pack used for mobile phones sounds a lot worse (they have switched DC regulators inside to get to 5V).
It also important to stay away from "battery management", even if you risk damaging the cells if overcharged or undercharged. Those battery managements are filled with switched cheap electronic.
I then have 18 awg OCC coppar cables with cotton sleeves as only insulation, soldered to a DC connector of copper.
A whole nother world there! I'll look into it.
Yes, it is. I like the sound of my LiFePO4 batteries though, and LPS manufacturers often use batteries like those as "reference" to compare with (or so I have heard).
It's also worth mentioning that Stromtank (a really expensive HiFi power gear) uses LiFePo4 cells for their "magic", but enough of them to also drive power amplifiers.
You should include some of Gieslers power supplies. Aussie seller very high quality supplies. Kraftwerk 2
https://www.gieseler.com.au/product-page/kraftwerk-ii
Not even a Contact Us email address. Doesn't infuse confidence unless you're inside Australi and can call them.
Would been nice if u would included Ferrum Hypsos!
https://ferrum.audio/hypsos/
They said they would send the Hypos in...but I never received it. Will check again.
Amazing post Jay. The table of results especially. I'd also love to know where the Hypsos ranks if they ever send you one.
Thank you! Yeah, I haven't heard back from Hypsos. Oh well.
Hello,
Maybe invest in some gear to measure them Jay?
Best regards
Geoff
Pachanko Stellar LPS would have been also interesting to see compared with all these.
Request sent.
Cool : )
Please consider the SOtM SPS-1000. I heard its very good.
great work - thanks a million!!
comment to the Sbooster PSU: i kind of relate to your findings (using mk 1 version), adding (now unavailable) Padis fuse and Furutech Absolute Power adds LIVE to it. yet, possibly also to all other PSUs tested here
Yeah fuses could make all the difference...maybe I'll test those at a later time.
Hi there,
I know you cannot review everything under the sun, but I’ll selfishly propose you review the ISOL-8 Prometheus LPSU. Their power conditioners are great and I would be curious to see how their power supply compares with the others.
Amazing amazing review; very well done! Thank you!
So, farad 3 isn’t that good?
What fuse and iec did you get within test unit?
My Farad Super 3 is custom modified, but I think it performs very well. Along w/ Jay I am factoring in price and its incredibly diminutive size.
I am also curious about the remarks in comparison to other PSUs, which cable was used: silver or copper?
Listening was primarily done with the copper cable. Still great for the price, especially if you enjoy a full bodied and smooth sound.