Price: $560 (Single rail), $140 for Statement DC cable.
The product is unique in the concept. With 3-stage noise filter / regulation design. All the 3 stage is different and addresses different aspect of noise pollution within the circuit. We are the only one doing it in this concept. The key for me is to reduce noise injection into the circuit in the first place. So it starts first stage with a different transformer design and usage that eliminate ground noise injection by traditional diodes bridge design.
Then the 2nd stage regulation reduces most of the noise with a CLASS A driver stage and WITHOUT negative feedback. I find this sounds the best, with no dynamic constriction.
The final stage regulation does the regulation, over-heat protection / over current protection. I use a very robust and low noise voltage regulator; most of the noise level reduction heavy lifting is done by the first 2 stage already.
The other aspect is to lower the impedance of current delivery. This aspect for me, can only be hand tuned. I personnelly tune each PLiXiR DC power supply before it leaves the factory for this. As you can see from my CV, I have many years of equipment modifications experience and that is key here.
Of course there are other execution and design aspects for me which contributes to the good sound (like using ONLY thru-hole component) and low impedance PCB design, but this is experience.
As you could probably gather from above, the Elite BDC’s balanced design is very unique. You also have the option to add the Statement DC power cable for $140. I’ll be using this cable for the review.
I call this power supply, the Chameleon. It doesn’t quite have a predetermined sound but instead remains adaptive to what is played. It seems full-bodied at times, lean on occasion, and warmish and bright when called for. Many of the other power supplies apply their own “coating” over the sound. But with the PliXir, there’s differentiation. I haven’t heard any other power supply quite like this one.
Once I hooked up the Plixir Elite BDC, I couldn’t help but say “WOW.” Gobsmacked indeed. Let’s just say, if you were to look up a glossary of audiophile descriptors, the PLiXiR will probably encompass many of them.
First, the Elite BDC is a transparency monster. There is absolutely no veil, haziness, or bloom. It’s alive and raw yet encompasses impressive tonal balance with minute effortlessness. There’s fantastic top-end clarity, low-end textures, and lifelike resolution. From fat bass riffing (Metallica’s Enter Sandman) to just enough freshness in the upper octaves.
Nimble presence. Startling fidelity. Seamless articulation. The Elite BDC seems to embody all the audiophile virtues. The sound is spacious and preserves sustain and fade. Not just from guitars and applause, but from pitched vocalizations. It’s surefooted and just grabs hold of your consciousness.
There’s a certain density in frequency and time that is precise and lucid. From supple bass lines to machine-gunned piano play. There’s solidity in both the airy harmonies and the well-textured grunts and booms. You are simply brought closer to the emotion of the music. One example would be Death Cab for Cutie’s I Will Follow You into the Dark. The rigidity and micro-dynamics of the light strings help support the melodic passages with empathetic suspension.
The same applies to the first few seconds of Linkin Park’s My December – where it’s all pieced together in well-organized musical layers. Consequently, the Elite BDC effortlessly maps the individual players in a section. And the full scale of an orchestra. Instruments don’t pile on top of each other like zombies. But instead are spaced with their own individual contribution of transient trails.
Low-order harmonics were also a surprise. There’s incredible power and proper stiffness. It’s more defined than it is hefty but has plenty of chest and throat. The bass will never spill but remain righteous and tangibly live with propulsive textures. The Elite BDC is definitely in the top 3 when it comes to bass.
The Elite BDC has such a wonderful balance of body, resolution, texture, and spatial acuity. And probably has the truest treble reproduction in this lineup. It’s a very engaging and pure sound that you could hear at its deepest levels. There’s just so much music going on with this power supply. So if you’re in search of absolute truthfulness and seek to extract unfettered dynamics – check out the Elite BDC. You’ll hear your music in a different light…guaranteed.
Now the Plixir Elite BDC isn’t going to be for everyone. Personally, I’m not a huge fan of the more “silvery” tone. Although the stock DC cable is “warmer” in the sense of being more dense and gray, the Statement (copper) DC cable is more sonically generous. But…the Elite BDC is still a reference piece because it does everything else so damn well.
The Elite BDC might sound a bit drier and slightly skeletal on already transparent systems. It doesn’t have a meaty sound with dense bodies placed in front of you. But it’s far from sounding thin. Some will find it analytical. But I don’t find it to be cold or burnished. But sure, a little bit more body and warmth would’ve been perfect.
Overall, if you have to hear one of these power supplies, it would be this one. This is for the audiophile who wants immediacy and the most pristine sound possible. Although I would prefer a richer sound, the Elite BDC does so much, SO well…it’s difficult to fault it for anything. It’s a profoundly goosebump-inducing experience.
You’ll also have to enjoy a neutral-cool sound that isn’t very dense. But pair the Elite BDC with warm speakers or amplifiers, and you’ll be in heaven. For example, the LTA Z40 integrated might be too transparent and clean. But a McIntosh or Benchmark AHB2 might be a better fit. And just for reference, even the warmest filter on the Chord Electronics Qutest wasn’t warm enough for my tastes.
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Well Jay, you have only just gone and done it again. Another mammoth review. Don’t you ever sleep!?
As a Dave owner I was lucky to obtain the first production version of Sean Jacobs DC4 and have been using that ever since with a big grin on my face every time I use the Dave. It has possibly been the biggest improvement to the sound of my system (with the possible and honourable exception of my own Wave High Fidelity STORM dual BNC cables of course!).
However all of that is about to change because Sean has been kind enough to loan me a prototype of his new ARC6 version of the DC4 power supply. Having had the Dave all this time I was not aware of any deficiencies. That was until I plugged in the ARC6. As you say in your review the DC4 is a master at revealing the texture of instruments but now the ARC6 version has a transient speed to go with that textural information. It is a quite uncanny combination. The bass is also deeper and more powerful and yet manages to more detail and information in it at the same time.
You will gather that I like the ARC6 upgrade to the DC4 for the Dave. It is a huge upgrade to the Dc4. I understand that existing owners of the DC4 can have theirs upgraded to the ARC6 version by returning to Sean or to one of his agents in the USA or EU.
But that is not really why I was minded to put pen to paper in response to your review. A few months ago I did my own private shoot out of power supplies powering the Qutest. These included the Sbooster with Ultra Mk2 upgrade, Farad Super3, Allo Shanti, MCRU, Sean Jacobs DC3, PowerAdd battery, iFi, a cheap LPS from China and of course, because I could, the 5V rail from a DC4. Broadly I agree with all your comments and in the end I used the Farad Super3, not because it was the best but because it was a reasonable amount of money to spend for the performance gain with a Qutest. One thing to say about the value for money Allo Shanti is that if one has the necessary skills it takes a leap forward in sound quality if the supplied captive leads are removed from the circuit board and GX16 sockets are installed allowing after market DC leads.
I have more recently listened again to a DC4 powering the Qutest and although first time around I rejected the idea of a single rail £4,000 DC4 powering a £1.200 Qutest as being any where near a sensible decision I have now begun to wonder whether in fact it brings the £5,200 combination up to a level of similarly priced DACs and I think it might just do that. Such is the benefit of the DC4 with a Qutest.
So, thanks once again for the huge undertaking and it is nice of course to see you still using my WAVE STREAM cables with your Dave. 👍
Nick.
I would be curious to hear the ARC6! Is there a tonal color difference between DC4 and ARC6? More shine?
I agree, the Farad Super3 is a great value, especially if you enjoy that more liquid and smooth sound. From memory, I thought the Mojo Illuminati V3 paired well with the Qutest. And I could definitely hear the potential of the Shanti, the price is incredible for its performance (but critical listeners won't be happy). GX16 sockets with custom cabling would be interesting.
Have you tried batteries?
I run my RME ADI-2 fs DAC and streamer on pure LiFePo4 cells (without any battery management electronics of course). The DAC uses 4*3.2V 20AH cells in series, and the streamer 2 of the same in series. The batteries last more than a day so I charge at night when sleeping.
It would be interesting to know how batteries like these compares to the better power supplies.
Yeah, I was thinking about including batteries as well. Which specific ones would you like to see?
I think the more "pure" cells you use the better, and not small AA or similar batteries. Here is the ones I use:
https://shop.gwl.eu/LiFePO4-cells-3-2-V/LiFePO4-High-Power-Cell-3-2V-20Ah-Alu-case-CE.html
Of if you want one ready made for RME DAC, this one works (its just 4 cells in series), should be similar available in NA if that's where you live: https://shop.gwl.eu/LiFeYPO4-batteries-12V-1-1/Lithium-Battery-LiFePO4-12V-20Ah.html
But basically you want low internal resistance in combination with pure cells. For example, a power pack used for mobile phones sounds a lot worse (they have switched DC regulators inside to get to 5V).
It also important to stay away from "battery management", even if you risk damaging the cells if overcharged or undercharged. Those battery managements are filled with switched cheap electronic.
I then have 18 awg OCC coppar cables with cotton sleeves as only insulation, soldered to a DC connector of copper.
A whole nother world there! I'll look into it.
Yes, it is. I like the sound of my LiFePO4 batteries though, and LPS manufacturers often use batteries like those as "reference" to compare with (or so I have heard).
It's also worth mentioning that Stromtank (a really expensive HiFi power gear) uses LiFePo4 cells for their "magic", but enough of them to also drive power amplifiers.
You should include some of Gieslers power supplies. Aussie seller very high quality supplies. Kraftwerk 2
https://www.gieseler.com.au/product-page/kraftwerk-ii
Not even a Contact Us email address. Doesn't infuse confidence unless you're inside Australi and can call them.
Would been nice if u would included Ferrum Hypsos!
https://ferrum.audio/hypsos/
They said they would send the Hypos in...but I never received it. Will check again.
Amazing post Jay. The table of results especially. I'd also love to know where the Hypsos ranks if they ever send you one.
Thank you! Yeah, I haven't heard back from Hypsos. Oh well.
Hello,
Maybe invest in some gear to measure them Jay?
Best regards
Geoff
Pachanko Stellar LPS would have been also interesting to see compared with all these.
Request sent.
Cool : )
Please consider the SOtM SPS-1000. I heard its very good.
great work - thanks a million!!
comment to the Sbooster PSU: i kind of relate to your findings (using mk 1 version), adding (now unavailable) Padis fuse and Furutech Absolute Power adds LIVE to it. yet, possibly also to all other PSUs tested here
Yeah fuses could make all the difference...maybe I'll test those at a later time.
Hi there,
I know you cannot review everything under the sun, but I’ll selfishly propose you review the ISOL-8 Prometheus LPSU. Their power conditioners are great and I would be curious to see how their power supply compares with the others.
Amazing amazing review; very well done! Thank you!
So, farad 3 isn’t that good?
What fuse and iec did you get within test unit?
My Farad Super 3 is custom modified, but I think it performs very well. Along w/ Jay I am factoring in price and its incredibly diminutive size.
I am also curious about the remarks in comparison to other PSUs, which cable was used: silver or copper?
Listening was primarily done with the copper cable. Still great for the price, especially if you enjoy a full bodied and smooth sound.