Reviews

The World’s Best Audiophile Linear Power Supplies

PLiXiR Elite BDC Balanced Linear DC

Price: $560 (Single rail), $140 for Statement DC cable.

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Plixir’s Founder, James Soh, on the Elite BDC linear power supply

The product is unique in the concept.  With 3-stage noise filter / regulation design.  All the 3 stage is different and addresses different aspect of noise pollution within the circuit.  We are the only one doing it in this concept.  The key for me is to reduce noise injection into the circuit in the first place.  So it starts first stage with a different transformer design and usage that eliminate ground noise injection by traditional diodes bridge design.   

Then the 2nd stage regulation reduces most of the noise with a  CLASS A driver stage and WITHOUT negative feedback.  I find this sounds the best, with no dynamic constriction.

The final stage regulation does the regulation, over-heat protection / over current protection.  I use a very robust and low noise voltage regulator; most of the noise level reduction heavy lifting is done by the first 2 stage already.

The other aspect is to lower the impedance of current delivery.   This aspect for me, can only be hand tuned.  I personnelly tune each PLiXiR DC power supply before it leaves the factory for this.  As you can see from my CV, I have many years of equipment modifications experience and that is key here. 

Of course there are other execution and design aspects for me which contributes to the good sound (like using ONLY thru-hole component) and low impedance PCB design, but this is experience.

Build & Specification

  • Output: Less than 1mVrms residual noise at DC ouput. Output Current available in 2/4/6 Amps current continuous.
  • Output voltage: Output voltage available from 5 Vdc to 30 Vdc. Available in: 110 Vac or 230 Vac input voltage
  • Finish: Black anodized, sandblasted aluminum
  • Weight: 2.5kg (2A), 3.2kg (4A), 3.7kg (6A)
  • Dimensions: 230 x 160 x 70 (mm)
  • Cable: Includes one-meter-long PLiXiR High Current DC Power Cable with a choice of 1.3mm, 1.7mm, 2.1mm or 2.5mm DC plugs to mate with your equipment.

Overview

As you could probably gather from above, the Elite BDC’s balanced design is very unique. You also have the option to add the Statement DC power cable for $140. I’ll be using this cable for the review.

I call this power supply, the Chameleon. It doesn’t quite have a predetermined sound but instead remains adaptive to what is played. It seems full-bodied at times, lean on occasion, and warmish and bright when called for. Many of the other power supplies apply their own “coating” over the sound. But with the PliXir, there’s differentiation. I haven’t heard any other power supply quite like this one.

Stock Cable vs. Statement DC Cable

  • The stock cable is denser, smoother, and more relaxed. It’s more of a gray tone rather than a brown tone.
  • The Statement cable is more vibrant, colorful, and resolving. There’s more presence with this cable.
  • The bass and timbre is more accurate with the Statement cable.
  • Both cables have beautiful texture and grit.

The Sound

Once I hooked up the Plixir Elite BDC, I couldn’t help but say “WOW.” Gobsmacked indeed. Let’s just say, if you were to look up a glossary of audiophile descriptors, the PLiXiR will probably encompass many of them.

First, the Elite BDC is a transparency monster. There is absolutely no veil, haziness, or bloom. It’s alive and raw yet encompasses impressive tonal balance with minute effortlessness. There’s fantastic top-end clarity, low-end textures, and lifelike resolution. From fat bass riffing (Metallica’s Enter Sandman) to just enough freshness in the upper octaves.

Nimble presence. Startling fidelity. Seamless articulation. The Elite BDC seems to embody all the audiophile virtues. The sound is spacious and preserves sustain and fade. Not just from guitars and applause, but from pitched vocalizations. It’s surefooted and just grabs hold of your consciousness.

There’s a certain density in frequency and time that is precise and lucid. From supple bass lines to machine-gunned piano play. There’s solidity in both the airy harmonies and the well-textured grunts and booms. You are simply brought closer to the emotion of the music. One example would be Death Cab for Cutie’s I Will Follow You into the Dark. The rigidity and micro-dynamics of the light strings help support the melodic passages with empathetic suspension.

A Reference Power Supply

The same applies to the first few seconds of Linkin Park’s My December – where it’s all pieced together in well-organized musical layers. Consequently, the Elite BDC effortlessly maps the individual players in a section. And the full scale of an orchestra. Instruments don’t pile on top of each other like zombies. But instead are spaced with their own individual contribution of transient trails.

Low-order harmonics were also a surprise. There’s incredible power and proper stiffness. It’s more defined than it is hefty but has plenty of chest and throat. The bass will never spill but remain righteous and tangibly live with propulsive textures. The Elite BDC is definitely in the top 3 when it comes to bass.

The Elite BDC has such a wonderful balance of body, resolution, texture, and spatial acuity. And probably has the truest treble reproduction in this lineup. It’s a very engaging and pure sound that you could hear at its deepest levels. There’s just so much music going on with this power supply. So if you’re in search of absolute truthfulness and seek to extract unfettered dynamics – check out the Elite BDC. You’ll hear your music in a different light…guaranteed.

Tradeoffs

Now the Plixir Elite BDC isn’t going to be for everyone. Personally, I’m not a huge fan of the more “silvery” tone. Although the stock DC cable is “warmer” in the sense of being more dense and gray, the Statement (copper) DC cable is more sonically generous. But…the Elite BDC is still a reference piece because it does everything else so damn well.

The Elite BDC might sound a bit drier and slightly skeletal on already transparent systems. It doesn’t have a meaty sound with dense bodies placed in front of you. But it’s far from sounding thin. Some will find it analytical. But I don’t find it to be cold or burnished. But sure, a little bit more body and warmth would’ve been perfect.

Who Should Buy the PLiXir Elite BDC Balanced DC?

Overall, if you have to hear one of these power supplies, it would be this one. This is for the audiophile who wants immediacy and the most pristine sound possible. Although I would prefer a richer sound, the Elite BDC does so much, SO well…it’s difficult to fault it for anything. It’s a profoundly goosebump-inducing experience.

You’ll also have to enjoy a neutral-cool sound that isn’t very dense. But pair the Elite BDC with warm speakers or amplifiers, and you’ll be in heaven. For example, the LTA Z40 integrated might be too transparent and clean. But a McIntosh or Benchmark AHB2 might be a better fit. And just for reference, even the warmest filter on the Chord Electronics Qutest wasn’t warm enough for my tastes.

Pros

Cons

  • Reference for transparency. Zero veil. Clean Sound.

  • Eerie, lifelike resolution

  • Quietest power supply

  • Performance will outweigh any negatives for many

  • Superb balance of detail, density, and smoothness

  • Amazing depth

  • Dynamically tangible. You could feel the music.

  • Properly timed sustain and decay. Especially with woodwinds.


  • Not particularly tonally soulful, warm, dense, or sweet.

  • Not the most open up top but will be enough for most ears.

  • Lacks some of that corporeal body for presence.

  • Might sound analytical for some.


Comparisons

vs. Uptone JS-2

  • Both the JS-2 and Plixir offer amazingly accurate treble.
  • Both have more “in front of you” sound.
  • Elite BDC has a lot more detail, quieter background, and much better focus.
  • Elite BDC has more and tighter bass.
  • JS-2 is a bit denser and warmer. It’s a more tangible sound.
  • Elite BDC has more depth.
  • Both are smooth. But the JS-2 a bit more analog and not as edgy.

vs. Farad Super3

  • The Elite BDC is more transparent.
  • The Super3 is much denser. Thicker body.
  • Elite BDC has more “artistic intent.”
  • Elite BDC has better imaging

vs. Fidelizer Nikola2

  • The Elite BDC is more transparent.
  • The Plixir is more biological, organic, and tangible
  • The Fidelizer has much better tone
  • Elite BDC has much more bass and overall better articulation
  • Elite BDC is meatier and has more shape. Makes it more engaging.

vs. Sean Jacobs DC4

  • From a resolution and transparency perspective, the Elite BDC, in some ways, actually sounded more real than the DC4.
  • The Elite BDC is the only other power supply that has this level of variance in density. The DC4 still does it better, but the Plixir is no slouch – at a fraction of the cost.

vs. JCAT Optimo 3 Duo

  • Polar opposites as far as tone. The Optimo is much darker.
  • Elite BDC might actually match pretty close to the tangibility of the Optimo. But the Elite BDC has more shape.
  • Optimo’s tone is richer and is probably closer to natural.
  • Elite BDC is more forward.
  • Elite BDC has more impactful bass. It’s punchier.
  • Elite BDC is more dynamic and energetic.

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Jay Luong

Mr. Audio Bacon himself. An open-minded electrical engineer and software developer by trade. I have an obsession with the enjoyment of all things media - specifically in the realm of music and film. So much heart and soul (and money) go into the creation of this artistry. My aim is to find out which products get me closer to what the musicians and directors intended.

View Comments

  • Well Jay, you have only just gone and done it again. Another mammoth review. Don’t you ever sleep!?

    As a Dave owner I was lucky to obtain the first production version of Sean Jacobs DC4 and have been using that ever since with a big grin on my face every time I use the Dave. It has possibly been the biggest improvement to the sound of my system (with the possible and honourable exception of my own Wave High Fidelity STORM dual BNC cables of course!).

    However all of that is about to change because Sean has been kind enough to loan me a prototype of his new ARC6 version of the DC4 power supply. Having had the Dave all this time I was not aware of any deficiencies. That was until I plugged in the ARC6. As you say in your review the DC4 is a master at revealing the texture of instruments but now the ARC6 version has a transient speed to go with that textural information. It is a quite uncanny combination. The bass is also deeper and more powerful and yet manages to more detail and information in it at the same time.

    You will gather that I like the ARC6 upgrade to the DC4 for the Dave. It is a huge upgrade to the Dc4. I understand that existing owners of the DC4 can have theirs upgraded to the ARC6 version by returning to Sean or to one of his agents in the USA or EU.

    But that is not really why I was minded to put pen to paper in response to your review. A few months ago I did my own private shoot out of power supplies powering the Qutest. These included the Sbooster with Ultra Mk2 upgrade, Farad Super3, Allo Shanti, MCRU, Sean Jacobs DC3, PowerAdd battery, iFi, a cheap LPS from China and of course, because I could, the 5V rail from a DC4. Broadly I agree with all your comments and in the end I used the Farad Super3, not because it was the best but because it was a reasonable amount of money to spend for the performance gain with a Qutest. One thing to say about the value for money Allo Shanti is that if one has the necessary skills it takes a leap forward in sound quality if the supplied captive leads are removed from the circuit board and GX16 sockets are installed allowing after market DC leads.

    I have more recently listened again to a DC4 powering the Qutest and although first time around I rejected the idea of a single rail £4,000 DC4 powering a £1.200 Qutest as being any where near a sensible decision I have now begun to wonder whether in fact it brings the £5,200 combination up to a level of similarly priced DACs and I think it might just do that. Such is the benefit of the DC4 with a Qutest.

    So, thanks once again for the huge undertaking and it is nice of course to see you still using my WAVE STREAM cables with your Dave. 👍

    Nick.

    • I would be curious to hear the ARC6! Is there a tonal color difference between DC4 and ARC6? More shine?

      I agree, the Farad Super3 is a great value, especially if you enjoy that more liquid and smooth sound. From memory, I thought the Mojo Illuminati V3 paired well with the Qutest. And I could definitely hear the potential of the Shanti, the price is incredible for its performance (but critical listeners won't be happy). GX16 sockets with custom cabling would be interesting.

      Have you tried batteries?

  • I run my RME ADI-2 fs DAC and streamer on pure LiFePo4 cells (without any battery management electronics of course). The DAC uses 4*3.2V 20AH cells in series, and the streamer 2 of the same in series. The batteries last more than a day so I charge at night when sleeping.

    It would be interesting to know how batteries like these compares to the better power supplies.

    • Yeah, I was thinking about including batteries as well. Which specific ones would you like to see?

      • I think the more "pure" cells you use the better, and not small AA or similar batteries. Here is the ones I use:
        https://shop.gwl.eu/LiFePO4-cells-3-2-V/LiFePO4-High-Power-Cell-3-2V-20Ah-Alu-case-CE.html

        Of if you want one ready made for RME DAC, this one works (its just 4 cells in series), should be similar available in NA if that's where you live: https://shop.gwl.eu/LiFeYPO4-batteries-12V-1-1/Lithium-Battery-LiFePO4-12V-20Ah.html

        But basically you want low internal resistance in combination with pure cells. For example, a power pack used for mobile phones sounds a lot worse (they have switched DC regulators inside to get to 5V).

        It also important to stay away from "battery management", even if you risk damaging the cells if overcharged or undercharged. Those battery managements are filled with switched cheap electronic.

        I then have 18 awg OCC coppar cables with cotton sleeves as only insulation, soldered to a DC connector of copper.

          • Yes, it is. I like the sound of my LiFePO4 batteries though, and LPS manufacturers often use batteries like those as "reference" to compare with (or so I have heard).

            It's also worth mentioning that Stromtank (a really expensive HiFi power gear) uses LiFePo4 cells for their "magic", but enough of them to also drive power amplifiers.

    • Not even a Contact Us email address. Doesn't infuse confidence unless you're inside Australi and can call them.

  • great work - thanks a million!!

    comment to the Sbooster PSU: i kind of relate to your findings (using mk 1 version), adding (now unavailable) Padis fuse and Furutech Absolute Power adds LIVE to it. yet, possibly also to all other PSUs tested here

  • Hi there,
    I know you cannot review everything under the sun, but I’ll selfishly propose you review the ISOL-8 Prometheus LPSU. Their power conditioners are great and I would be curious to see how their power supply compares with the others.

    Amazing amazing review; very well done! Thank you!

  • My Farad Super 3 is custom modified, but I think it performs very well. Along w/ Jay I am factoring in price and its incredibly diminutive size.

    I am also curious about the remarks in comparison to other PSUs, which cable was used: silver or copper?

    • Listening was primarily done with the copper cable. Still great for the price, especially if you enjoy a full bodied and smooth sound.

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