Now I’ve heard the Meze Empyrean headphones probably a dozen times at the shows. And every time I try to nitpick them, I end up just enjoying the music. It didn’t matter which amplifier or DAC it was plugged into. Music just sounded truthful.
I primarily listen to 2-channel these days so didn’t give it much more thought for months. However, I heard it once more at Munich High End and knew I had to get this in for review. It took a while…but the Meze Empyrean is finally here.
What I Look For
My audiophile journey started with headphones. They don’t require a lot of space and I don’t have to the complexity of room treatments, speaker positioning, etc. Today, I think I’ve heard pretty much every high-end headphone out there.
Every designer has their own philosophy and it’s interesting to hear the various approaches. There are sonic compromises when it comes to headphones – simply due to the inherent physical constraints. So how an engineer works around and adjusts the moving parts becomes more of an art form. Keep in mind, when you listen to a headphone…you’re getting an idea of how the designer enjoys music.
When I started this hobby, I chased what I “never heard before.” This meant headphones with incredible soundstage, resolution, and transparency. Hearing the inner details of familiar recordings was refreshing and emotive. It was addicting. After spending years listening to audio gear (full-time), I was able to focus on what’s important. I started to get a grasp of what the limitations were and how certain sonic qualities create a balance. “You can’t have it all” so you have to determine what’s critical to your enjoyment of music. Since I value a lifelike sound (not everyone does), I also made a conscious effort to listen to live music as often as possible.
It’s only after the combination of these experiences that am I able to find out what I look for in a playback system. To properly evaluate gear, one has to have heard the “relative paths” a sound could take. It’s the only way to know what’s missing and if it’s something that could be adjusted. And there aren’t any shortcuts to this.
My realization? Just because you can hear every detail, doesn’t mean you were meant to. And having a huge soundstage doesn’t mean it’s realistic. These “special effects” actually takes you away from artistic intent. But some audiophiles find joy in fantasy…and that’s perfectly fine.
My goal was for a natural and faithful sound – and the only way to know what that is is to use your ears in the real world. Aside from social interactions, one should listen to traffic, cars barking, or even just the rain. So for me, tonality is nonnegotiable as the color of a sound determines whether I believe what I’m hearing. Unfortunately, many of the qualities audiophiles seek from their components – compromises tonal variance. It’s just the nature of the beast.
As always, I don’t care much for measurements or the opinions of other reviewers. Aside from the variety of gear and sources people use, everyone listens for different things. My preference is for natural tonality. My opinions are based on the best I’ve heard these recordings and not necessarily specific to headphones.
About Meze Audio
It all started when Antonio was searching for a pair of headphones that he could relate to, in the same way, he felt connected to his Fender Stratocaster guitar. An object to pour his passion for music in. An object full of personality and life, which also incorporates the attributes of high-end technology.
Meze Audio was founded in 2011 in Baia Mare, Romania. We started small, acquiring knowledge by experimenting with parts already on the market, searching and researching for the right materials and engineering solutions in the quest for the perfect sound and feel. Our breakthrough year was 2015, when, after many years of development, the 99 Classics were launched. They keep receiving awards and nominations that are beyond anyone’s expectations and are placing the 99 at the top of its category. Today all our models, headphones and earphones, are developed in-house from the ground up, in the spirit of our original ‘no-compromise’ vision.
OBSESSING WITH QUALITY IN SOUND AND BUILD, We create high-end headphones, so we obsess about sound quality. Every aspect counts. The engineering, choice of materials, the precision of craftsmanship, the reliability are all equally important. We also make parts easily replaceable. All of these to ensure that a feeling of trust will accompany your every interaction with a Meze.
Meze Empyrean Specifications
“Empyrean was born from passion, curiosity, and innovation. As a business, we have allowed ourselves the freedom to experiment and take risks in search of the perfect sound. To generate something truly remarkable, one must dare to explore, and that’s what we did with Empyrean. We pushed and refined industry’ standards and achieved a true game-changer for audiophiles.”
Antonio Meze, Lead designer and Founder Meze Audio
- Driver Type: Rinaro Isodynamic Hybrid Array (planar magnetic)
- Operating Principle: Open
- Ear Coupling: Circumaural
- Frequency Response: 4 – 110,000 Hz
- Impedance: 31,6 Ω
- Nominal SPL: 100 dB (1 mW / 1 kHz)
- Maximum SPL: > 130 dB
- Total Harmonic Distortion (THD): < 0.1%
- Weight: ~ 430 g
Build & Design
This review unit came with a 1/4″ single-ended jack and a gorgeous steel flight case. Although you wouldn’t walk around with this headphone, I did travel with it a few times and the case comes in handy. It’s great that you could drive this with your laptop or phone. You won’t get as much authority or volume, however.
Every Meze Empyrean is hand-assembled in Baia Mare, Romania. Build quality is one of the very best I’ve seen from a headphone. The chassis takes 20 hours to sculpt and is milled from a single piece of solid aluminum. It’s apparent every part of this headphone was carefully designed. Including the carbon fiber headband, leather pressure distribution winged headband, and resistive side earcup adjusters. Also, their isomagnetic ear cup attachment is by far the easiest earpad locking system out there.
Meze was very meticulous and thoughtful when it came to this package. They made damn sure the listener knew this was a flagship headphone.
The Meze Empyrean sounded best with the Chord Electronics DAVE so that’s what I used for most of this review. I actually enjoy the tonality of the Chord Electronics TT2 more but the Empyrean seems to benefit from the extra resolution of the DAVE. The Hugo M Scaler kicks it up a few notches as well.
- Chord Electronics DAVE and Hugo TT2 with Hugo M Scaler
- Iconoclast UPOCC XLR and RCA interconnects
- Mapleshade optical cable
- Danacable TruStream & Final Touch Audio Callisto USB cable
- Innuos ZENith SE Mk.2 music server
- Paul Hynes SR4 & SR7 power supplies
- SOtM sNH-10G network switch
- The Linear Solution Reference ethernet cables
- Krisdonia battery packs
Jay… you really nailed this review. After a long research and evaluation process, I choose the Empyrean as my (hopefully) end-game, long-term reference headphone. As such, I’ve become very familiar with them, using both a Chord Hugo2 and then subsequently the magnificently-musical Mola Mola Tambaqui. The front-end to the Tambaqui is what if feel is a reference quality DIY front end server, with a high-quality Sean Jacobs DC3 (19v and 12) power supply, i7 based Intel NUC in a fanless case and a Intel Optane 16gb drive for the OS, Uptone EtherRegen, Linear Systems Ethernet cable and Danacable Truestream USB cable. Yeah, everything matters! The server’s OS is the incredibly good Euphony OS. File storage is using an external Synology NAS, using Roon/Tidal under the Euphony OS. The headphone cable has been upgraded to a Norne Silvergarde 3. So yeah, I’m in pretty deep and loving it.
As Jay’s article unfolded, it literally retraced my steps and experiences with the Empyrean. It’s so very challenging to write about the Empyreans, because they are not so much about high-end audiophile stuff, as they are about delivering the emotion of music and the musical talent of the artist. They are so good at doing the later. I think of them as being chameleon-like in their ability to deliver enough detail to be fully satisfying, but never crossing the line into brightness. The same is true of the bass region, bass definition is there in spades, without being overbearing or bloated. The highs sparkle just right, the bass forms a highly-detailed foundation, but never overdone and never imposes itself into the low-mids. The midrange is simply world-class imho. All of this is consistently delivered, despite the wide range of mastering quality. Anything close to being well recorded and well mastered, is served well and is delivered. This is not a headphone that needs perfect source material, or it will try to kill you on a bad recording. Real music is never harsh. The Empyreans somehow deliver satisfying, compelling music on all but the worst recordings.
The highest compliment of all, is that my listening sessions often go on for 3-4 hours, and even then, I’m very, very unhappy when they have to finally come to an end. That never used to happen. It’s testimony to the musical abilities of the headphone and the rest of the system, coupled with the headphone’s physical comfort that Jay mentioned. Those very long listening sessions are how you know your audiophile journey has matured into something very special. The Empyreans deliver just that, consistently.
The truth be told, I’m a recovering audiophile detail freak. In retrospect, I’m a bit embarrassed about how many times I’ve mistaken brightness/forwardness for detail. It’s an expensive and ultimately unfulfilling mistake. Don’t do it! My previous headphone was the Senn HD800. It took a little while for my brain to make the transition from detail, to the musicality of the Empyrean. But it is just as Jay wrote. The Empyreans check all the important boxes, forgoing all the audiophile traits that force compromise to musicality. You can read in Jay’s descriptions, what a difficult and challenging balance it is to make a headphone like this. Bravo to Meze. Bravo to Jay for being able to put it into words so well. Well done!
Thank you for the kind words, Dave. I have heard the Mola Mola Tambaqui but it seems like an interesting design. You’ve obviously spent considerable time perfecting your source. I’m in the middle of testing out different components on a build. I’m actually surprised the CPU and memory makes such a huge difference. I actually have Euphony OS installed on one of my music servers but haven’t had time to test it. Have you tried any other headphones cables other than the Norne Silvergarde 3?
I completely agree. I’ve tried to enjoy the HD800s a few times…and finally ended up selling them with no regrets. Cheers to finding a headphone we both love. The tonal variations and gradation you get from the Empyrean are so addictive.
Hi Jay and Dave – Let me carry forward my appreciation of your review, and of the Empyrean itself. Dave – I could have written a number of the points you’ve made -and I may have written nearly the same sentences.
I happily had the opportunity to upgrade to a TOTL headphone system. I’ve had good stuff, including the Grado top-end phones of which I am still very fond; the GS3000e still get lots of use. They are certainly musical and very revealing; I do not put them in the mistaking-forward/bright-for detail category. However, I wanted to buy a top-shelf unit which would be complementary to my accustomed Grado sound, and in doing so, I tried the Utopia, The LCD4, and the Abyss; I had higher-end Schiit electronics, which had been musical and satisfying….but I could imagine a sonic character I’d not yet experienced.
While I still have my eye on the Holo May KTE DAC, I’ve been in possession of the Bryston BDA3.14 DAC and BHA-1 amp. I was blown away decades ago by a Bryston-driven Big system, and I liked their logo (clearly I have stringent criteria!). I figured a manufacturer I thought was cool when I was a budding audiophile and musician, whose products are often dismissed as “clinical”, who doesn’t have any niche appeal, pure function and clean engineering, and who made a traditional delta-sigma DAC, would be sufficiently different from the Schiit culture and their bad-measuring, good-sounding Multibit tech. I swallowed hard and ordered a Woo WA5-LE, having never before listened to a SET 300B -technology amp for headphones – only in a magnificent, megabuck horn system.
Well, the Empyreans at first upset me greatly. Before the Bryston and Woo stuff arrived, the Empyreans sounded DARK and DULL, as though something are wrong with them; I wondered if my high frequency hearing was gone. A dealer warned me that the Empyrean weren’t good for “critical listening”; but what, then , was the appeal of a 3K headphone? To be mushy and affectionate?
Something happened over the first few days. I learned that my reaction was very much a cognitive bias and a matter of being used to the way sound LEAPT off the Grado driver, a dynamic driver by definition and by adjective. Little by little, I started hearing that the particular design of the Empyrean, by intent, and perhaps as a feature of its planar-magnetic tech, presented music very differently. The Empyrean soon began to present me with a paradox – NO sense of edge, of speed, of slam. In fact, what I began to hear was simply: Music. Relaxing into the experience, I began to realize that these headphones simply disappeared. Recording I knew well and used as references (Ralph Towner, Blue Sun; Joni Mitchell, Cotton Avenue; Ralph Vaughn Williams Tallis Fantasia by Trondheim Solisteine ) were just as musical and well-delineated as before. However, whereas the Grado Brough the music right up to my window and said HERE WE ARE, LISTEN TO US, everything through the Empyreans sounded like a gentle invitation into the recording session. Devoid of etch and aggression – but presenting every last detail in the manner in which it must have happened.
Then the Bryston and Woo arrived. The Empyreans are clean windows on the musics with good lighting. They reveal what is there, in honest proportions, every detail, but as it would sound in a live musical event – adding nothings subtracting nothing; no hyper-real illumination, no accentuation. If there is good, dee bass, I will feel it in my chest, in my eyelids, emotionally, and with exactly the pitch of the tone, not just the rumble and boom; I can tell you if the bassist is Ray Drummond or Dave Holland, Steve Swallow or Eberhard Weber; I can tell you if the ride and snare are Phil Collins or Bil Bruford, or Roy Haynes or Jack DeJohnette. One note…..the timbre and dynamic envelope are true. I have lost a lot of sleep, because, like Dave, I won’t want to put my toys away and go to sleep; one more song, one more movement.
Turns out the Bryston amps, BTW, is extended, groovy, deeply detailed, and smooth, with no hard edges. The Woo single ended triode? Generous. Holographic to the extreme; the movement and interplay of voices deep inside an orchestra are completely transparent; but again, never spotlit. The Bryston DAC, far from clinical, has much greater extension in the highs, and much better pitch in the bass, with sweet and detailed minds, compared to the Schiit Gungnir MB. Every bit as “natural”, but lots more music, more information. At 3.5 x the price, can be expected.
But, “clinical” Bryston, my a@*. The music has soul, and the equipment conveys it to the point at which I am finding it hard to do anything except listen more. And, the Empyreans are the messengers. They lack nothing, and they give everything. The Utopias, I could live with happily. But I consider them to be show-offs compared to the Empyreans, which simply, generously, and modestly, deliver music as it is and should be. THIS is high end audio as it should be.
Have to agree with the review. I tend to get fatigue with bad sound and used to hate headphones, coming from a Senn 600. I bought the Empy on a dealer recommendation and hooked it up to my Benchmark HPA4 and Benchmark DAC3B (along with other sources). Even with this very revealing combo I found that I was missing some details with the leather pads. I did some research and found that a lot of people were upgrading the stock headphone cable to something made of silver material. I was about to go that route before I came across some very complimentary feedback on the copper WyWire Platinum headphone XLR cable. I went ahead and bought the Platinum.
With this cable and my Benchmark HPA4 and DAC3B I have a very detailed but also smooth sound. A nice mix of both. I listen for hours very late at night with 0 fatigue, just brilliant sound.
I’ve heard this Benchmark pairing at the shows and it was amazing. Very dynamic. I’m glad you’re able to find a headphone cable to improve resolution (without having to go silver 🙂 ). I’ll have to test out a few cables in the next few months. Please let me know if there are any others I should put on the shortlist.
Hi Jay and All… Yep, I’ve worked pretty hard at getting the front-end leading up to the DAC in order and optimized. It’s totally amazing to me how responsive it is to small details. As you have noted many times, the importance of the power supply cannot be underestimated and that goes on to include the dedicated power runs, the power cords and even the fuses. The RAM made an easily noticed difference, as did going to the fanless case. It’s hard to believe until you live it. Once you hear it, then there’s no goin’ back.
As for the headphone cable on the Emperian, I only have the stock 1/4″ Meze cable and the Norne Silverguarde 3 as my first-person data points. So that’ pretty limiting. That said, I really like the Norne. I got it becasue I decided that I really needed just a touch more detail in the Emperyian, so I decided to go with silver conductors. Very satisfied, and haven’t felt the need to explore that rabbit-hole any further.
So then… how you next mega-cable comparison coming? I hope it’s either interconnects or speaker cables! You’re decipline, discernment and ability to write it all down for us, is truely exemplary. Thanks!