Categories: Networking

SOtM iSO-CAT6 Special Edition: The Flavors of Audiophile Ethernet

My Favorite Combinations

Contents

Interestingly enough, I’ve found the iSO-CAT6 does a decent job of blending the strengths of the individual cables with a heavier weight on the input cable (labeled “router”). YMMV and it doesn’t hurt to swap cables around for taste. In no particular order:

  • SE Black Cable -> iSO-CAT6 -> dCBL-CAT7
    • You’ll get the soundstage and realism along with a more forward midrange.
    • My current preference. I have two sets of this specific combination: From modem to router and from router to streamer.
  • dCBL-CAT7 -> iSO-CAT6 -> dCBL-CAT7
    • With an Uptone ISO REGEN in place (to provide some meat on the bones), this combination is quite a treat. It is the most holographic sound I could obtain from any of the permutations. A much more immersive musical experience with unbelievable low-end detail and textures.
  • SE Black Cable -> iSO-CAT6 -> SE Black Cable
    • Some may prefer this to the Supra CAT8 combos. Really hard to complain about this combo as the iSO-CAT6 mitigates the graininess found when using the SE Black cable on its own. Not as spacious or detailed as the combos with the dCBL-CAT7 but I suspect it provides enough musicality for most palates.
  • Supra CAT8 -> iSO-CAT6 -> SE Black Cable
    • Amazingly musical combination. The Supra helps smooth out the grain from the black cable.
  • Supra CAT8 -> iSO-CAT6 -> Supra CAT8

    • This combination will provide a more natural and accurate tone and timbre. Without the iSO in place, the Supra CAT8 on its own sounds a bit too excited and lean. Sounds much more coherent and cleaner.
  • Supra CAT8 -> iSO-CAT6 -> dCBL-CAT6
    • You get all the benefits of the dCBL-CAT6 with an applied smoothness and richness.
  • dCBL-CAT7 -> iSO-CAT6 -> Purist Audio Design CAT7
    • Smooth, detailed, and musical.

The permutations are endless. I’ll update this page as I find more combinations but feel free to “sonically season” and experiment for yourself.

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Jay Luong

Mr. Audio Bacon himself. An open-minded electrical engineer and software developer by trade. I have an obsession with the enjoyment of all things media - specifically in the realm of music and film. So much heart and soul (and money) go into the creation of this artistry. My aim is to find out which products get me closer to what the musicians and directors intended.

View Comments

  • Hey there Jay,

    Is this just a galvanic isolator for the ethernet connection?
    Or does it also combat current peaks on the single signal lines as well?

    Cheers

    • I am asking this because most of the ethernet isolators I know of can not combat transient current peaks of the single signal wires...
      Cheers

      • From my understanding, it only provides galvanic isolation and does not combat transient current peaks. I'll verify with SOtM.

  • I did some testing with a Cary Audio DMS-500, ASRock N315M based system with Intel 2 port GBe Server PCIe, Cisco SG 200-8 L3 Managed Switch, 3 foot Nordost Heimdall 2 ($700) CAT8, WireWorld Starlight 12 foot CAT8 ($350) and a 315 foot HyperTek CAT5e that I terminated off the spool.

    Captured all this into an RME FireFace UFX.

    Made the tracks available for download, anonymized, and no one could tell when the 315 Generic cable was in use or the $233 foot cable.

    For those that didn't even accept that as proof, I've offered to come onsite for bias controlled evaluation in their own setup, room, material. Using the SG 200-8 in LAG would allow for swapping out cable in real time.

    I would bring $2000 if you could hit 18 / 20 random change. If you can't you pay my travel expenses.

    • Are you suggesting there are no sonic differences between all ethernet cables or only between the ones you've evaluated? If you're saying all and you're willing to bet $2k on it...you're obviously a neophyte who hasn't had much experience.

      Care to post the download links for the tracks?

    • You used weak methodology with your weak-ass ADC and your low-res system and even lower-res ears. Digital is just 1s and 0s...yeah, right.

      • Offer still stands. Lets see your ears and high res system vs my weak ass adc and low-res system.

        I have $2000 here for you if you pay my travel expenses and can't hit 18 or 20 using your system from the USB cable back and using your own tracks.

        Let me know if you need any other information about the setup or method.

      • Actually digital is just 1s and 0s. Also they talk about cat 8... thats still being discussed as a standard. Its not available. And its about throughput. Not quality of signal. Too much noise introduced in cat xyz cable equals lost packets not harsher sound.

        Cat 7 usually has better shielding, and thicker individual conductors. More resistant to external interference and higher theoretical speeds.

  • That is you get $2000 and I pay air fare if you hit 18/20. If you don't you just pay my air fare. Funds to be escrow.

    • Mark, I'm going to save you the embarrassment (and money). Having done the networking for a few data centers and hospitals and crimping my own cables for over 15 years, I understand your perspective on adhering to spec. FWIW, I have a degree in electrical engineering and I know it technically shouldn't make a difference. I've also discredited these silly audiophiles over the years. However, like your future self, I realized my assessments were perfunctory.

      All these music streaming services (Tidal, Spotify, etc) use UDP, not RUDP/TCP so packets might not arrive in a sequential manner or at all. Unlike other applications, music needs to arrive in the proper order and the proper timing. Due to inconsistent clocks and RFI/EMI, the noise will have an effect on the signal and thus the bits that arrive at the DAC for processing. The human ear is hypersensitive to this noise. Consequently, different cable designs will have various levels of impact on the resultant sound.

      The day you realize you've been wrong and take down all your Youtube videos, it'll be a humbling experience. At that point, you hopefully wouldn't dismiss the idea of vibration isolation :)

      • Ok. So fundamentally you incorrect on a few things:

        1. Most streaming services use TCP and Not UDP. Any server that is done in the web browser is over HTTP and that is a TCP protocol through and through.

        2. Roon just recently switched over to TCP BTW.

        3. Ethernet networks are Non-Realtime systems cross many differing clock domain boundaries. These differing clock domains are handled by buffering.

        4. When you start playback on a system and remove the cable and the music still plays are you maintaining that timing variance is still in the static buffer?

        I'll make a 2nd offer:

        My $4000 to anyone $1000 that they can't go through and hit 18 out of 20 flips of the coin.

        If you can't hit it then pay my travel expenses and $1000. If you can I pay my travel expenses and give you $4000 I'll post a public Youtube video admitting I was wrong. Money held in escrow.

        I'm trying to figure out what person is so steadfast in their ears that they wouldn't take my $2000/$4000?

        • There's nothing worse than a deaf troll. Crawl back in your hole already. You're not worth anyone's time.

          • I worked at T.I. as an applications engineer designing phy power supply topologies.

            Something you need to understand is that for runs under 40 meters, with a cable that has adherence to TIA/ISO the PHY is going to be running in it's lowest power state. S.I. isn't substantially altered from one cable to another. Out of spec cables will affect this but we still manage to keep the Eye together.

            Once a cable has passed spec for noise immunity, inter-pair crosstalk, skew, NeXT. There isn't much else to do.

            On well built systems with buffer (my Auralic had something like 7 seconds at 16/44.1) the sound you are hearing was delivered ages ago from the perspective of the OS. Further more different parts of the NIC are going to be turned off and on as needed.

            Given all the other sub systems on the same PCB that a PHY is implemented on there are much more demands made by those other systems. CPU/APU, South Bridge, RAM etc...

  • Boy you must be lonesome... I get it... Life sucks sometimes... But there are places more appropriate to search for help.

    All the best, Gonna listen to stiff upper lip, now ;)

  • Do you use an audiophile switch with filters? I have a Waversa hub. It will make a huge difference.

  • I must chime in...

    1) That's one for mythbusters, clearly.
    2) It would be good to post the full setup here. If the content source (eg, a nas) is on the same LAN as the receiver, there should be 0 packet loss, or so few that it is not perceptible, assuming you use half-decent switches. Any decent $5 ethernet cable will be sufficient here. And have a look at
    http://www.siemon.com/us/white_papers/97-10-02-presentation.asp
    for example. In a small LAN, you really have to start doing a lot of things wrongly to start having packet loss/alteration (a cable cannot retime packets by the way, no, it cannot change their order of arrival... come on).
    3) I do assume we are not talking about content from internet here, otherwise one needs to explain me how optimizing 5 meters in a (tens of) thousands of kilometers chain that includes using meters and (kilo)meters of cheap cat 6 cable can make an audibly perceptible difference.
    4) There is a point to be made for the readers, though: with ultra-cheap cables and switches, you may have a faulty system that drops lots of data. You don't usually see that with even $5 cables and $50 switches, but I have had faulty (as in, you realize immediately) $1 ethernet cables. But essentially, it works or it doesn't, i.e., there's electrical connection or there's not. It's bits which are transmitted after all.
    5) There is also another point to be made for the readers: whether the above "study" is an elaborate prank or an honest perception by the reviewer (and if so, probably then an interesting psychological effect to study), before spending more than $10 on a rj45 cable make sure it is the weak link of your system first. This is not speaker cable we are talking here: a bit is a bit, it's not analog direct-to-the-speaker wire, and therefore a link very robust to electromagnetic noise.
    And I must add, to convince yourself that rj45 cables are not posing any problem, make actual computer network diagnosis, to see how many errors you get on your setup. I use iperf:
    http://www.techrepublic.com/blog/linux-and-open-source/iperf-a-simple-but-powerful-tool-for-troubleshooting-networks/
    You'll get essentially 0, showing that changing a cable cannot change the auditory perception: if no bit is altered during the transmission, then no change is made to what is fed to the DAC... Note again, for WAN/internet it's a different story, yes UDP packets may be lost, especially via wireless, but it's nothing your own installation can control anyway.

    Good luck,

  • Quick question:
    What actually causes the supposed difference in sound between network cables? I've yet to meet a professional sound engineer who cared what kind of cat 5 or cat 6 they had in their chain, even when using it for layer 1 or analog signal transfer (yes we'll send analog over cat 6 sometimes). For the life of me I can't provide a scenario in which it actually matters that a digital cable is beyond spec.

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