When I’m not listening to my $4,500 Abyss headphones, I’m bumping my $300 M-Audio Studiophile BX5a monitors. Hey hey, before you judge, It’s the Deluxe edition baby. This thing packs a punch (without a sub) and frees me from my headphone leash. I primarily work in front of an LCD screen for more than 10 hours a day so headphones made sense. Recently I’ve gravitated towards listening to 2-channel instead.
There’s just something visceral about being immersed and enveloped in music. Allowing it to hit your chest and being provided an image and soundstage that even the best headphones can’t match. Most implementation of crossfeed is gimmicky so 99% of headphone users stick to the discrete, in-your-face sounds of each channel. Sure we’ll get better resolution and won’t have to worry about room treatments, but in hindsight, the sacrifices were much more profound than that. Sometimes the “room” of a headphone is the pad itself so mods have to be done there, which leads to similar headaches.
I initially skipped 2-channel systems for no other reason than wanting to remove the room from the equation. I have a 11.1 surround sound system and have built acoustic panels in the past. All that tweaking, measuring, trial & error…headphones rescued me. What I didn’t realize was that I sit about a meter away and having near-fields effectively removes (most of) the room. This allows me to appreciate all the things I love about headphones, including the resolution while getting all the acoustic benefits of having speakers.
Another awesome thing is that I don’t have a problem most normal people have. I’m a single 35 yr old who sucks at online dating, I don’t have to worry about kids playing Street Fighter with my tweeters, and isolation isn’t required because my neighbors are deaf. The acoustic stars have aligned for me. Luckily, I didn’t have to worry about those Hadokens on my tweeter because I decided my first set of speakers would be a single-driver loudspeaker made by Louis Chocos at Omega Speaker Systems. I really admire his philosophy and approach to loudspeaker design:
Omega Speaker Systems offers a full line of single driver loudspeakers, each personally designed and hand built by me in Norwalk Connecticut. My philosophy is simple: every speaker is built from custom designed parts and cabinets to maximize performance at all price points.
It is not a cookie cutter approach, where off the shelf parts are merely assembled together.
I conceive, design, and construct my proprietary cabinet alignment algorithm, proprietary driver designs, four layer cabinet construction, and product assembly with a singular vision.
Every Omega speaker is designed to bring you closer to the original musical performance. With over 34 years of professional speaker building experience, 14 of which have been devoted to single driver designs, it is fair to say that I have accumulated plenty of real world experience. This experience helps guide me in building on the unique benefits inherent in single driver speakers (open & coherent sound stage). It also enables me in eliminating the sonic deficiencies you may have experienced while listening to mass market, or DIY single driver speakers, such as weak bass and rolled off highs. My speakers deliver detail, speed, dynamics, and above all, musical involvement beyond anything you would expect, at competitive price points.
My primary reasons for this choice:
I’ve actually driven these speakers directly from a Chord Hugo and iFi Pro iCAN. If you have a DAC with a preamp feature…you could have a lot of fun with this. You also have unlimited choices when it comes to amps (which could be a good or bad thing). I digress, that’s a topic I’ll touch on at another time. Let’s dive into the sound!
I’ve grown accustomed to multi-way speakers for years and I have to say I feel at home with a single-driver design. There’s this coherence and naturalness that I just haven’t heard from any multi-driver speakers. It’s definitely an acquired taste but I thoroughly enjoy it.
With the SUPER 3i, a subwoofer is pretty much mandatory. It was neat being able to evaluate how changing components affected the highs/mids without the low end getting in the way but that gets old and boring. I’m like the OKCupid for speakers so I setup the handsome 3i with his new sexy girlfriend, the deepOMEGA 8 subwoofer.
After weeks of listening these were my impressions:
I mentioned how versatile the Super Omega 3is are across genres. Here are some of my raw notes:
Adele – Love song [Adele Live at the Royal Albert Hall] (44/16)
Daft Punk – The Game of Love [Random Access Memories] (88/24)
The Modern Jazz Quartet – Animal Dance [Lonely Woman] (192/24)
Billie Holiday – A Foggy Day [Songs for Distingue Lovers]
Banks – Someone New [Goddess] (44/16)
Santana – Oye Como Va [Greatest Hits] (44/16)
Dusty Springfield – The Look of Love [Casino Royale Soundtrack] (192/24)
Hans Zimmer – The Battle [The Gladiator Soundtrack] (44/16)
Lorde – 400 Lux [Pure Heroine] (44/16)
Lindsey Stirling – Crystallize (orchestral version) [Lindsey Stirling] (44/16)
Dr. Dre – The Next Episode [Chronic 2001] (44/16)
Marilyn Manson – Third Day of a Seven Day Binge [The Pale Emperor] (44/16)
Led Zepplin – Black Dog [How the West Was Won] (48/16)
So single driver loudspeakers do work across all genres…as long as you give it a girlfriend (aka subwoofer).
I find that single-driver designs are fantastic for near-field and desktop applications. One thing I did notice was a slight fall off on the 4.5″ RS5 drivers which presents a gap between 160-300 Hz. Given the size of the driver, it’s an expected compromise. The SUPER 3i won’t have the impact that of a larger driver could deliver but luckily for near-field listening, the driver doesn’t have to be much larger to fill that gap. Omega’s Compact Alnico Monitors with 6″ HempCone drivers should do the trick.
My overall impression of the Omega Super 3i and deepOmega 8 combo is that there are no glaring faults and that the bottleneck will most likely be your source, cable, and amps. I’ve heard this system over the course of a few weeks while upgrading gear and it scales beautifully. It could handle anything you throw at it. One interesting thing to note is that the loudspeakers themselves were the cheapest component in the chain. It’s difficult to believe the Omega SUPER 3i is his base model (at only $695) as it sounds better than other flagship monitors I’ve heard. It has left me speechless more times than I could count on tracks I’ve been familiar with.
The midrange on this combo is otherworldly. However, one thing I did yearn for was for more richness and texture in the upper-lows and lower-mids. As far as highs, I thought these speakers did a splendid job. Never abrasive or bright. These are just very transparent and musical speakers. I spoke to Louis about my needs and he suggested the Compact Alnico Monitor. It has the aforementioned 6″ Alnico hemp driver which supposedly has what I’m looking for. Needless to say, I didn’t hesitate to place an order.
When someone comes into the room and points out how you’re bobbing your head more often (and violent) than usual…that’s always a good sign. The Omegas have convinced me to re-evaluate some (much more expensive) speakers I’ve heard in a few listening rooms. Music is my one religion. With the Omega Super 3i, I felt like a newborn being baptized by the acoustic gods. The Omega SUPER 3i has been quite a revelation for me and my journey.
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Excellent review once again, Jay! What a novel way to listen to speakers. You are on the cutting edge!
Positively fascinating review. I had never considered this design of speaker before.
Excellent review.
I would love to hear an honest and transparent comparison with the Alnico. With Alnico you do gain the mid and upper bass richness, along with more linear response but you give up:
a. Transient speed which you have valued so highly as do I.
b. Dispersion - the smaller RS5 drivers have a wider dispersion. I always thought that for near field listening, wide dispersion is very important.
c. Some hear the whizzer cones as high pitched tone.
So the question in my mind is whether the gains are greater than what one gives up. Love to hear your thoughts.
Thanks.
Appreciate the compliment. The CAMs should be here in about 3 weeks so I'll keep you posted. Are you currently a CAM owner coming from a Super 3i?
I'm seriously thinking about following in your footsteps, here! Could you share an update on your experience with the CAMs please? How do they sound with the single watt offered by the Hugo?
I much prefer the CAMs. More body, warmth, sweetness, and overall naturalness. Can't go wrong.
I've had CAMs for about three years, and recently augmented them with a Totem Kin powered sub. The combo is plenty for my 225 sq. ft. listening room. The CAMs replaced an ancient pair of ATC SCM12 monitors, which were a fine execution of the opposite of the single-driver philosophy. The ATCs had a passive crossover and were extremely power-hungry. Nevertheless, the ATCs stood the test of time until I played the CAMs -- which make everything else sound sluggish and dull. Per your remarks about Omega's generally, the CAMs offer outstanding "bloom" and dynamic contrast... even at late-night listening levels. And the better one's front end, the better the CAMs get. They sound beautiful with PS Audio Stellar separates, which are way overkill in terms of power (140 wpc), but smooth and balanced.
The CAMs sound like a very interesting option to me but I'm wondering about one thing - you wrote that you can drive them directly from your DAC, or pre-amp.
That got me thinking that my headphone amp should have plenty of power from it's balanced outputs, or perhaps also from it's pre-amp outputs, to drive the CAMs.
But where to get cables that would go from one to the other? Are there convertor-plugs available to go from 4-pin XLR to 2x banana-plugs for instance? Or from 3-pin XLR to a single banana plug?
Or from RCA to banana plugs?
I'm absolutely not familiar with this kind of things yet!
I had to custom make the cables with furutech connectors and wire from soniccraft or vh audio.
Thanks for your answer. I kind of suspected that. I'll have to find somewhere to order custom cables then, if I will indeed order the CAMs.
Not a big problem, I think I can find someone. :)
Hey Jay,
Did you listen to the CAM's yet? Do they have a warmer midrange? I'm also trying to decide whether I want a small living room system for an apartment or just a desktop system. If I go with the desktop system I think I might go with Harbeths although they're very pricey to be using nearfield.
I have not. Give the LSA-10 Statements a listen! https://www.underwoodhifi.com/products/lsa-speakers. Crazy bang for buck.