I had my doubts about this seemingly gimmicky device but the W4S DAC-2 sounds completely different with the Regen…in a great way. You get much more body and warmth, a touch more of the organics. Without the Regen the DAC-2 sounded thin, flat, and sterile. It lacked much needed dynamics and came off a bit harsh. It’s underlying strengths in detail retrieval, effortless resolution, and transparency is still there but misses all the important pieces without the Regen. I will be doing further analysis and testing of the Uptone Regen. What an incredible device.
The Wyred 4 Sound DAC-2 doesn’t need an introduction. It has graced many high-end audiophile speaker setups for the past 5 years. It is known as a extremely transparent and resolving DAC. I got this DAC a few months ago but felt it was a bit too analytical for my tastes. For that reason it was stored away until now. I wanted to revisit it and compare it to a DAC I really enjoy, the Chord Hugo. Below are my raw notes from the session. I find these types of notes are more honest as they are written down as I A/B.
Raw Notes:
Michael Jackson – Black or White (Remastered)
DAC-2
Sounds a bit thin/leaner, but very detailed
Precise and lots of clarity
Hugo
The vocals are much better on the Hugo, more human. The W4S is a bit more strident/edgy.
More musical better warmth
More impactful bass.
Linda Ronstandt – Blue Bayou
DAC-2
Very tight, not as much impact as Hugo
Very precise and “matter-of-fact”
Extremely revealing
Hugo
Much warmer, more sub-bass presence.
The mids for the W4S sound a bit recessed in comparison.
The W4S has a blacker background but doesn’t sound as cohesive
More organic
Jay-Z (ft. Justin Timberlake) – Holy Grail
DAC-2
Vocals are crystal clear but lack a bit of organics
Not as much depth as the Hugo
Bass is tight and quick
Hugo
The dynamics far exceed the W4S
More cohesive (back-up singers)
More bass
Rodrigo y Gabriela – Foc
DAC-2
Detailed to fault sometimes
Bright at times
Leaner
You could hear the textures of the guitars, very detailed, black background, but the other actors don’t seem to be in the same room.
Hugo
Definitely warmer
Soundstage a bit wider
Sounds like humans are playing
More musical
Hugo much more enjoyable
Famoudou Don Moye – Immm (Live Version)
DAC-2
It has a very lean characterisc, not as holographic as the Hugo
There’s not a lot of body/weight to the sound
The drums don’t have that visceral impact
Sounds like a sound test with a mix of instruments all around…not cohesive
Hugo
So realistic it gave me goosebumps
Eiji Oue – Mazeppa, TH 7 – Mazeppa, Act I: Gopak
DAC-2
A bit too lean, lacks the warmth, but details are there though.
Hugo
A lot more engaging, sounds like a real concert
The CH sounds so much better
Paramore – Emergency
DAC-2
Vocals are more separated from the rest of the music, not a bad thing.
A bit sterile for my tastes
Not as organic and not as much depth
Separation isn’t as good
Hugo
More engaging
Regina Spektor – Fidelity
DAC-2
Don’t think the intention was to have it sound this lean/thin
Might work better with warmer/darker speakers
The vocals definitely have a brighter tinge to it, not as organic
Hugo
Very engaging and organic
Her voice sounds more natural, you could hear her breath
Conclusion
The Wyred 4 Sound DAC-2 is an amazingly detailed DAC. It is capable of giving you an X-ray of the recording, almost to a fault. The actors/instruments are all resolved effortlessly and there’s a lot of grip across the spectrum but it lacks a bit of warmth and cohesion. I believe this makes it a bit less engaging and enjoyable to my ears. The Chord Hugo, I have to say, is in another league. It sounds more like what I would expect the artist’s intentions were when mastering. The layering is better on the Hugo, without a doubt. I think the W4S DAC-2 would pair well with warmer/darker speakers/headphones, such as the Audeze LCD-3F.
Jay Luong
Mr. Audio Bacon himself. An open-minded electrical engineer and software developer by trade. I have an obsession with the enjoyment of all things media - specifically in the realm of music and film. So much heart and soul (and money) go into the creation of this artistry. My aim is to find out which products get me closer to what the musicians and directors intended.
I have always wanted a W4S dac2. I really love my Minimax with my LCD2's. I think the 9018 really pairs well with any of the Audeze headphones. Because they are a little bass and mid heavy, along with being on the warm side that cold analytical chip just balances them out.
That could possibly be the case. The W4S DAC-2 is definitely on the colder side of the spectrum so would pair well with warmer/darker gear. Although you should know, even with warmer gear, the underlying signature of a DAC will transcend the amps used and you will still hear its character. For example, vocals will still have a tint of "lean" even with warmer gear.
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I have always wanted a W4S dac2. I really love my Minimax with my LCD2's. I think the 9018 really pairs well with any of the Audeze headphones. Because they are a little bass and mid heavy, along with being on the warm side that cold analytical chip just balances them out.
That could possibly be the case. The W4S DAC-2 is definitely on the colder side of the spectrum so would pair well with warmer/darker gear. Although you should know, even with warmer gear, the underlying signature of a DAC will transcend the amps used and you will still hear its character. For example, vocals will still have a tint of "lean" even with warmer gear.