To avoid potential biases, I own all equipment in this review.
The Audeze LCD-3 (Fazored) are known for their lush and darker presentation without sacrificing detail retrieval. One of the most euphonic headphones I’ve ever encountered. Its pairing with the Pathos Aurium (with the 7308s) is a gift sent from the heavens. You get that extra bit of shimmer with these tubes and apparently this is the exact setup the CEO of Infinity uses. The main complaint I have with the LCD-3 is the weight. It’s a bit painful at the top when listening to more than a couple of albums. These are just cans to kick back and chill next to the fireplace with.
The Abyss AB-1266 is a special headphone. I purchased these after listening to a $200,000 Kharma speaker system in San Francisco. I love the effortless reproduction of brass and percussion instruments that a good set of high-end speakers could provide. With the proper amp and a bit of equalization, I would say the Abyss gets me a bit more than half way there. It’s quite a remarkable headphone that sounds like a great speaker system. The primary complaint going for the Abyss is the fit. Fortunately, it found it fit perfectly around my round, medium-sized head. Although I could see fit issues with much larger or smaller noggins.
There wasn’t any equalization used in this review to keep it pure. I’m writing these notes down as I A/B and listen. As with all subjective impressions, take this with a block of salt.
Abyss
LCD-3
Overall I thought this track was a lot more exciting on the LCD-3. It gets your head bobbin’ and feet tapping. The Abyss sounds too precise and technical for its own good.
Abyss
LCD-3
I think for this particular genre, most would prefer the LCD-3 for it’s atmospheric bass response, lush, and forward mids. If you value more separation, tonal balance, and transparency, the Abyss is much better in this respect.
Abyss
LCD-3
Abyss
LCD-3
The LCD-3 is less fatiguing but not as transparent. Chester’s voice is much more accurate on the Abyss. On the LCD-3 I felt like it got lost in the bass and instruments. The Abyss has more tonal balance, sounds more live, super black background, and fits well with this genre IMHO.
Abyss
LCD-3
The Abyss is simply more transparent. This is a toss up. I think for this type of music, the bass quantity of the LCD-3 is much appreciated. The vocals are more accurate on the Abyss. Both are enjoyable.
Abyss
LCD-3
This track sounds like it’s being played off a speaker system with the Abyss. Amazing imaging, wide soundstage, and transparent. It teleports me to the jazz club the performance took place in. Technically the Abyss wins hands-down however I would be happy with either. The LCD-3 provides a very comforting listening experience and synergies well with this amp.
Abyss
LCD-3
I’d much prefer the Abyss for it’s tonal balance and spaciousness. The LCD-3 made the performers sound like they were in a crowded space.
Abyss
LCD-3
The Abyss wins on all fronts with this track. The Abyss represented the recording as it should’ve done.
Abyss
LCD-3
I think classical listeners would prefer the Abyss over the LCD-3 any day of the week. I’m not a heavy classical music listener however you don’t have to be to appreciate the engineering achievement the team at JDS has accomplished with the AB-1266. Amazing.
Abyss
LCD-3
The LCD-3 misses out on the organics which makes this track IMO. With the Abyss, I’m listening to Miles actually playing the trumpet with his chest and heart.
Abyss
LCD-3
This song sounded completely different between the two headphones. The Abyss kills this track with its dynamics and grip on the entire range. It was gentle when it had to be. The timbre of the Abyss is most welcomed.
Abyss
LCD-3
I enjoyed the Abyss much more for this track. I found the LCD-3 to be fair too warm/dark and the lack of delineation of the vocals to the instruments took away from the sonic experience.
Abyss
LCD-3
They sound completely different on this track, although I did swap out the tubes for the 7308 and it helped the LCD-3s tremendously. Gives it a bit more of that clarity and removes some of the veil. I have to mention at this point the Abyss doesn’t sound great with the 7308 tubes. It loses low-end as well as some sparkle in the high-end. In any case, I would pick the Abyss over the LCD-3 any day.
Abyss
LCD-3
Abyss wins again with amazing textures, dynamics, and realism. The LCD-3 is still enjoyable but doesn’t sound true to the recording.
Abyss
LCD-3
EDM sounds great with the LCD-3. The weight but detailed bass response helped greatly. The Abyss sounded too technical and analytical for this track.
Abyss
LCD-3
If I had not heard the Abyss, I would think the LCD-3 is as good as it gets. To be honest, it’s sometimes hard to tell that it’s veiled until you compare it to other headphones.
If it’s not apparent from the comparisons, each headphone has its purpose. If you prefer more hip-hop/EDM type music which requires more bass slam or if you prefer the easy, lush/sweet/warm, kick-back listening sessions, the LCD-3 is well-suited. If you value transparency, dynamics, imaging, soundstage, and more tonal balance, the Abyss is perfect. I haven’t heard a sub-bass response like that on any other headphone. Granted, the synergy of the Abyss with this amp is still questionable. I’ve heard the Abyss on the Wells Audio Headtrip and it sounds spectacular. Leaps and bounds above the HiFiMan HE-1000, Sennheiser HD800, and Audeze LCD-X/3. I’ll be posting that review soon!
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